I PUT A SPELL ON YOU

Choreographer

Photo from I Put a Spell on You
WATCH TRAILER

  • Executive Producer: Jay Armstrong Johnson
    Choreographer: Patrick Garr
    Producers: Andy Jones, Joe Hornberger, Shannon Molly Flynn
    Co-Directors: Heath Saunders, Mack Brown
    Production Coordinator: Megan Saunders
    Supervising Choreographer: Michael Anthony Sylvester
    Music Supervisor: Jackson Teeley
    Music Consultant: Will Van Dyke
    Dancers: David Nick Alea, Ella Durr, Ellie Reid, Jules Geiss, Kelly MacMillan, Markelle Leigh, Olivia Galiardi
    Venue: Webster Hall
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CREDITS

A NOTE FROM THE CHOREOGRAPHER

Crafting this piece for I Put a Spell on You was an exhilarating challenge, blending two iconic pop worlds into a hauntingly hypnotic movement piece. Inspired by Rihanna’s Disturbia and Lady Gaga’s Bloody Mary, I aimed to evoke a sense of fractured reflection and eerie beauty. The ensemble of “Bloody ballerinas” moved not in perfect harmony, but in jagged unison — like ghostly echoes in a cracked mirror — bringing the characters of Bloody Mary and Mary Sanderson to life in a visceral, unsettling rhythm. It was a joy to craft movement that felt both contemporary and theatrical, and to be part of a production that supports the Ali Forney Center’s incredible work for LGBTQ+ youth.

FEATURED PRESS

Reviews Archive
HAMILTON
BroadwayWorld
“Takes on the role with gusto”
HAMILTON
BroadwayWorld

“The ensemble tore into director Thomas Kail’s staging and Andy Blankenbuehler’s choreography with exuberance and precision, making such episodes as “Yorktown (The World Turned Upside Down)” into dazzling visual spectacles.”

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HAMILTON
BroadwayWorld
HAMILTON
BroadwayWorld
“Backbone of the production”
HAMILTON
BroadwayWorld

“The ensemble tore into director Thomas Kail’s staging and Andy Blankenbuehler’s choreography with exuberance and precision, making such episodes as “Yorktown (The World Turned Upside Down)” into dazzling visual spectacles.”

Read more →
HAMILTON
BroadwayWorld
HAMILTON
Tulsa World
“Exuberant and precise”
HAMILTON
Tulsa World

“The ensemble tore into director Thomas Kail’s staging and Andy Blankenbuehler’s choreography with exuberance and precision, making such episodes as “Yorktown (The World Turned Upside Down)” into dazzling visual spectacles.”

Read more →
HAMILTON
Tulsa World
HAMILTON
The Column
“A jovial welcome comedic break”
HAMILTON
The Column

“Patrick Garr as Samuel Seabury was a jovial welcome comedic break.”

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HAMILTON
The Column
HAMILTON
BroadwayWorld
“Mesmerizing to watch, full of palpable energy”
HAMILTON
BroadwayWorld

“Patrick Garr was mesmerizing to watch, full of palpable energy.”

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HAMILTON
BroadwayWorld
HELLO DOLLY
The Wichita Eagle
"Lots of fun as a practically perfect comic sidekick"
HELLO DOLLY
The Wichita Eagle

“Patrick Garr as Barnaby, Cornelius’ 17-year-old co-worker and wingman is lots of fun as practically perfect comic sidekick.”

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HELLO DOLLY
The Wichita Eagle
HAMILTON
The Wichita Eagle, The Virginian Pilot
"Much-needed visual backbone”
HAMILTON
The Wichita Eagle, The Virginian Pilot

"Athletic team players like Patrick Garr are the much-needed visual backbone of a show that depends on intimacy rather than spectacle.”

Read more →
HAMILTON
The Wichita Eagle, The Virginian Pilot

FEATURED VIDEOS

FEATURED PHOTOS

Bloody-Mary-7.JPG
Bloody-Mary-1.jpg
Bloody-Mary-5.JPG
Bloody-Mary-2.jpg
Bloody-Mary-4.JPG
Bloody-Mary-3.JPG
Bloody-Mary-6.JPG

FEATURED VIDEOS

FEATURED PHOTOS

When He Sees Me - Patrick Garr Choreography.jpg
Good Mornin' - Patrick Garr Choreography.jpg
No Business Like Show Business - Patrick Garr Choreography.jpg
Hit Me With a Hot Note - Patrick Garr Choreography.jpg
Hit Me With a Hot Note - Patrick Garr Choreography 2.jpg
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